Saúl Chapela
Catarsis for Guitar (2012)
- Publisher: Ut Orpheus
- Code: CH 189
- In Stock
-
€ 9.95
Winning Composition of the Boston GuitarFest Composition Competition 2012.
Author: Saúl Chapela (*1988)
Publication Date: 1/8/2014
Pages: pp. 12
Size: 230x310 mm
Binding: Saddle stitching
ISMN: 979-0-2153-2218-9
Code: CH 189
Saúl Chapela studied piano with Nicasio Gradaille and Pablo Galdo, and composition with David Cuevas and Carlos Cambeiro, in the Conservatorio Superior de Música of Vigo. He also studied with Jan Müller-Wieland and Hans-Jürgen von Bose in the Hochschule für Musik und Theater in Munich, where nowadays he attends a Master of Music in Composition.As a composer, he has won the first international prize at the Boston GuitarFest Composition Competition 2012 (Catarsis for guitar) and the first prize at the Composition Competition Manuel Quiroga 2013 (Old Leaves for violin and string orchestra). Also, he was presented by the Junge Solisten des Siemens Stiftung in Munich.
il Fronimo n. 187 (luglio 2019)
‘Catarsis’ è un lavoro ricco di situazioni contrastanti e con momenti talora aggressivi, ma perfettamente funzionali alle intenzioni espressive dell’autore. ... l’esecuzione di questo brano è tecnicamente molto complessa e, come tale, destinata ad esecutori esperti. (Antonio Borrelli)
‘Catarsis’ è un lavoro ricco di situazioni contrastanti e con momenti talora aggressivi, ma perfettamente funzionali alle intenzioni espressive dell’autore. ... l’esecuzione di questo brano è tecnicamente molto complessa e, come tale, destinata ad esecutori esperti. (Antonio Borrelli)
Classical Guitar Magazine (06-2014)
It is certainly an exciting piece and makes a substantial impression, succeeding as it does in not frightening you away with crushing dissonances that so many other writers insist on inflicting on our ears from time to time. This pieces is musical and eventful, and moreover exciting and has a beginning middle and an end that one can follow throughout. It is not however easy, so only moderately advanced players will be able to cope with its complexities.
It is certainly an exciting piece and makes a substantial impression, succeeding as it does in not frightening you away with crushing dissonances that so many other writers insist on inflicting on our ears from time to time. This pieces is musical and eventful, and moreover exciting and has a beginning middle and an end that one can follow throughout. It is not however easy, so only moderately advanced players will be able to cope with its complexities.
