The Correspondence of Muzio Clementi
- Critical Edition [Opera Omnia - Vol. XIV]
- Editor: David Rowland
- Publisher: Ut Orpheus
- Code: CCE 1
- In Stock
Clementi’s correspondence opens a window on a number of aspects of his own life, the lives of other contemporary musicians, and the international music business of the time.
One of the benefits of publishing all of the known letters to and from Clementi, his family and his business associates is that much more is revealed than has hitherto been known about the nature of Clementi’s company, and more generally the nature of the music business in early nineteenth-century Europe.
The letters clearly show the extent of Clementi’s contacts with European publishers and instrument sellers, including Artaria, Breitkopf & Härtel, Erard, Naderman, Nägeli, Pleyel, Ricordi and Streicher. One of the most striking features of the correspondence is the evidence that it provides for the esteem in which Clementi was held among musicians all over Europe, as well as the use that he made of his reputation. His relations with Haydn, Dussek and Beethoven are well-known, but other figures emerge in this correspondence who have not been so closely associated with Clementi in the past, such as Bomtempo, Himmel and Righini, as well as very minor figures about whom very little is known, such as Nezot.
In summary, the correspondence reveals an intelligent and cultured British citizen, a good friend, an energetic musician who was at the heart of the development of London’s musical institutions, and an extremely astute and well-connected businessman.
Author: Muzio Clementi (1752-1832)
Editor: David Rowland
Publication Date: 4/1/2010
Series: Muzio Clementi Opera Omnia
Pages: pp. 692
Size: 170x240 mm
Binding: Hardback (Cloth Hard Cover with Jacket)
Code: CCE 1