Romantic Anthology. 10 Easy Transcriptions of Favourite Pieces by Celebrated Composers for Flute and Piano
- Transcription: Mario Ancillotti
- Publisher: Ut Orpheus
- Code: HS 310
- In Stock
-
€ 18.95
Robert Schumann: Sogno
Modest Mussorgsky: Il vecchio castello
Franz Schubert: Ave Maria
Edvard Grieg: Canzone di Solveig
Johannes Brahms: Poco allegretto
Pyotr Ilyich Tchaikovsky: Marcia dei soldatini; Ouverture Schiaccianoci
Georges Bizet: Prelude; Intermezzo; Coro dei monelli e Chanson bohème
Modest Mussorgsky: Il vecchio castello
Franz Schubert: Ave Maria
Edvard Grieg: Canzone di Solveig
Johannes Brahms: Poco allegretto
Pyotr Ilyich Tchaikovsky: Marcia dei soldatini; Ouverture Schiaccianoci
Georges Bizet: Prelude; Intermezzo; Coro dei monelli e Chanson bohème
Transcription: Mario Ancillotti
Publication Date: 4/13/2021
Series: Mario Ancillotti Collection
Edition: Score and Parts
Pages: pp. 60 + parts pp. 28
Size: 230x310 mm
Binding: Saddle stitching
ISMN: 979-0-2153-2721-4
Code: HS 310
Pan Magazine (November 2021)
... The arrangements work well, with plenty of melodic interest in the flute part, and some enjoyable (but manageable) technical challenges in some of the longer pieces. ... The piano accompaniments are relatively simple and light in feel, transparendy scored to help achieve a good balance between instruments. The score is well presented with consideration given co page turns. This is an enjoyable collection of pieces which is likely to be popular with students and amateurs alike; the arrangements are ideal recital pieces, especially for community settings, and present opportunities to work on lyrical playing in all registers. (Carla Rees)
... The arrangements work well, with plenty of melodic interest in the flute part, and some enjoyable (but manageable) technical challenges in some of the longer pieces. ... The piano accompaniments are relatively simple and light in feel, transparendy scored to help achieve a good balance between instruments. The score is well presented with consideration given co page turns. This is an enjoyable collection of pieces which is likely to be popular with students and amateurs alike; the arrangements are ideal recital pieces, especially for community settings, and present opportunities to work on lyrical playing in all registers. (Carla Rees)
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