Mauro Giuliani
2 Rondos Op. 68 for Piano and Guitar
- Editor: Fabio Rizza
- Publisher: Ut Orpheus
- Code: CH 128
- In Stock
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€ 14.95
Author: Mauro Giuliani (1781-1829)
Editor: Fabio Rizza
Publication Date: 2/1/2011
Edition: Score and Parts
Pages: pp. 20 + parts pp. 12
Size: 230x310 mm
Binding: Saddle stitching
ISMN: 979-0-2153-1888-5
Code: CH 128
Soundboard n. 2 (2014)
The ten colorful pieces of medium difficulty open up a lot of opportunity for musical interpretation while practicing technical elements on the guitar ... This would be a fun collection for guitar students to play in order to practice different technical elements and a variety of rhythms, take the opportunity to be musically expressive, and paint an array of landscapes while making music. (Amy Hite)
The ten colorful pieces of medium difficulty open up a lot of opportunity for musical interpretation while practicing technical elements on the guitar ... This would be a fun collection for guitar students to play in order to practice different technical elements and a variety of rhythms, take the opportunity to be musically expressive, and paint an array of landscapes while making music. (Amy Hite)
Soundboard n. 2 (2014)
Kind of Green is set more or less as a rondo, with the opening section reappearing at a different pitch after an intervening, contrasting section and then again (gready abbreviated) to close the piece. There are some quite attractive ideas here, but one gets the impression that the composer kept changing his mind about the type of piece he was writing ... The technical demands are moderate, with everything lying conveniently on the fingerboard. (D. Grimes)
Kind of Green is set more or less as a rondo, with the opening section reappearing at a different pitch after an intervening, contrasting section and then again (gready abbreviated) to close the piece. There are some quite attractive ideas here, but one gets the impression that the composer kept changing his mind about the type of piece he was writing ... The technical demands are moderate, with everything lying conveniently on the fingerboard. (D. Grimes)
Il Fronimo n. 167 (luglio-settembre 2014)
Con ogni probabilità, Giuliani li scrisse per eseguirli assieme a Johann Nepomuk Hummel, il famoso pianista austriaco col quale collaborava intensamente in quel suo ultimo scorcio di vita viennese. Sono veramente due perle che, dietro l’apparente semplicità di scrittura, rivelano un’ispirazione, una solarità e al tempo stesso un’intensità senza pari. La parte staccata della chitarra è diteggiata dal revisore. (M. Riboni)
Con ogni probabilità, Giuliani li scrisse per eseguirli assieme a Johann Nepomuk Hummel, il famoso pianista austriaco col quale collaborava intensamente in quel suo ultimo scorcio di vita viennese. Sono veramente due perle che, dietro l’apparente semplicità di scrittura, rivelano un’ispirazione, una solarità e al tempo stesso un’intensità senza pari. La parte staccata della chitarra è diteggiata dal revisore. (M. Riboni)
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