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EDITORIAL

Fulvia Morabito

Editorial

ARTICLES

Graham Pont

A Volume of Corelli’s Works Owned and Annotated by Charles Burney

Massimo Pinca

August Müller’s Contributions to the «Neue Zeitschrift für Musik» (1848-1849): Evidence of Approaches to Orchestral Double Bass Playing in the Mid-19th Century

Maiko Kawabata

The Aura of Stradivari’s Violins

Jee-Weon Cha

Moment and Allegory: Hearing Richard Strauss’s «Tod und Verklärung», Op. 24

Ryszard Daniel Golianek

Imaginary Poland. The Musical Depiction of a Non-Existent Country in Instrumental Music by Nineteenth-Century Foreign Composers

REVIEWS

David Chapman

Francesco Galeazzi, Theoretical-Practical Elements of Music, Parts iii and iv

Laure Schnapper

Antoine Reicha. Écrits inédits et oubliés / Unbekannte und unveröffentlichte Schriften. Vol. 1: Autobiographie, articles et premiers écrits théoriques / Autobiographie, unbekannte und frühe theorische Schriften

Maria Teresa Arfini

Susan Wollenberg, Schubert’s Fingerprints: Studies in the Instrumental Works

Floyd Grave

Luigi Boccherini, Clementina G 540

Rohan H. Stewart-MacDonald

Mozart’s Chamber Music with Keyboard

Fiorella Sassanelli

Rémy Campos, François-Joseph Fétis musicographe

Susan Wollenberg

Giorgio Sanguinetti, The Art of Partimento: History, Theory, and Practice

Natasha Loges

Robert Pascall, Brahms Beyond Mastery: His Sarabande and Gavotte, and its Recompositions

NEWS

Forthcoming Conferences - Call for Papers

Contributors

Books Received

Abstracts

Index of Names