Ad Parnassum No. 38


Ad Parnassum
Vol. 20 - No. 38 - April 2022
pp. 112




ARTICLES

Michael Talbot

Two Unsuspected New Violin Sonatas by Tomaso Albinoni in the Estensische Musikalien

Nieves Pascual León

La fuerza del natural: un primer baile madrileño en la producción de Vicente Martín y Soler

James Porter

Crepuscular Ossianism and Two Symphonic Poems: Self-Reflection and Political Commitment in Nicolò Celega’s Il cuore di Fingal (1895) and Adolphe Biarent’s Trenmor (1905)

REVIEWS

Anatole Leikin

Joan Grimalt, Mapping Musical Signification

Giulia Giovani

Music Patronage in Italy

María Encina Cortizo

Anna G. Piotrowska, From Gypsy to Bohemian: A Study of the Musical Rhapsody

Galliano Ciliberti

Tobias C. Weißmann, Kunst Klang Musik. Die Festkultur der europäischen Mächte im barocken Rom

Michael Klaper

Luigi Cherubini: A Multifaceted Composer at the Turn of the 19th Century

Galliano Ciliberti

Spectacle et performances artistiques à Rome (1644-1740). Une analyse historique à partir des archives familiales de l’aristocratie = Spettacoli e ‘performance’ artistiche a Roma (1644-1740): analisi storica attraverso gli archivi delle famiglie aristocratiche

Federico Gon

Giuseppe Tartini. Lettere e documenti / Pisma in dokumenti / Letters and Documents. Volume / Knjiga / Volume I-II

Biographies

Books Received

Abstracts

Index of Names