Pianista, cantante e compositrice italo-americana, Delilah Gutman è nata a Madrid nel 1978. Vive e lavora a Milano e a Rimini dove, nel 2007, ha fondato l’Associazione Culturale D.G.M.A., un’Associazione Culturale di ricerca musicale e di produzione di eventi musicali e multimediali come “Silenzio Musica”, “DoNnA” e “Kol bpm”.
Diplomata in pianoforte, musica elettronica e composizione al Conservatorio di Milano, ha studiato composizione con Niccolò Castiglioni, Bruno Zanolini e Alessandro Solbiati, e pianoforte con Lidia Arcuri. Ha seguito masterclass con György Ligeti, Luca Francesconi, Gabriele Bianchi, Salvatore Sciarrino.
Come compositrice, ad oggi conta più di cento prime assolute in Italia ed all’estero.
Tra le collaborazioni per installazioni musicali, letture, esposizioni d’arte visiva e video d’arte si segnalano quelle con i poeti Manrico Murzi e Salvatore Ritrovato, gli scrittori Haim Baharier, Roberto Piumini e Guido Quarzo, gli artisti Mark Kostabi e Enzo Cucchi.

Piano Journal Magazine 112 (Autumn 2017)
Pianist and composer Delilah Gutman composed this piece for five pianists in 2003. The Trinity College multi piano class sight-read it and found it great fun to play with its pounding semiquavers in rumba rhythm over a dotted motif. ... This short piece is ideal for group piano classes as each player has a share of the musical material, forcing everyone to listen attentively all the time in order to maintain excellent ensemble. Its only drawback is that it is so short but the improvising sections can be longer to expand this rhythmically energised piece. (Nadia Lasserson)

International Piano Magazine (May-June 2017)
Delilah Gutman's “One” for 5 Pianists and 1 piano is a fantastic, humorous, concentrated and highly exciting part-piece in minimalist contemporary idiom. Each player uses one stave and plays a restricted number of notes and figurations. The result moves and grooves with tremendous wit, energy and fun. ... One may be a slight work in terms of duration - its 134 bars are all over in less than five minutes; but it smiles and surprises the listener at every turn. Strongly recommended for multi-piano events, piano festivals, cabaret turns and festive occasions when multiple pianists gather for a special anniversary or event. (Murray Mclachlan)