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Signorile, Giorgio
4 Pieces for Guitar (2010-12)

Price: € 10.95

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Product Details

Contents: Le colline di Karen (Karen’s Hills)/ Quel mare che non c’era (That Sea that wasn’t there)/ La mia piccola gioia (My little Joy)/ Variazioni su un respiro (Variations on a Breath)

Author: Giorgio Signorile
Publication Date: 2012
Collana: Guitar
Pages: pp. 24
Size: 230x310 mm
Binding: Saddle stitching
ISMN: 979-0-2153-2035-2
Codice: CH 156
           Sample Pages

Biographical Notes

Product detailsBorn in 1962 in Cuneo, Giorgio Signorile began studying guitar at the local Conservatory, first with Pino Briasco and later with Paul Manzo, graduating in 1986 with honors. He subsequently worked with Betho Davezac and Leo Brouwer and started appearing as a soloist and in chamber music groups. During this period he was particularly dedicated to contemporary music performing with L'Assieme Chitarristico Italiano and recording two CDs on the Dynamic and l'Olandese Etcetera labels.
Inspired by his travels, he began composing for guitar. After a success at the composition competition "Suoni Nuovi 2007", he began collaborations with publishers such as Zedde, Sinfonica and especially Ut Orpheus creating music, both educational and professional in nature, for solo guitar and flute/guitar duo. His works have been performed in recent times by several well-known artists and ensembles - Giulio Tampalini (Strong emotions), Lucio Matarazzo (LM and friends) and Giorgio Mirto (Notturni).
His most recent CD ‘Reflessi’ (Reflections), produced by CNI Music in Rome, is a collection of works for solo guitar published in recent years by Ut Orpheus.
Since 2013 he has served as an official endorser for Aquila Corde Armoniche.
He considers teaching an important part of his work as a musician, a comparison between two realities, a dialogue where respect and knowledge are exchanged and interact, creating culture, risk, interest and mutual growth.


Classical Guitar Magazine (02-2014)
These compositions are very likeable and interesting and are written in a contemporary vein with a mixture of classical/folk/jazz elements. ... The four pieces are worthy of investigating for the player on the lookout for new contemporary material which is pleasing on the ear.

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